Digital BW, The Print

Anthony, or anyone else using Portra b/w 400:   What was your experience with 
reciprocity failure shooting the film at night?   If I take a few midtone 
readings off of my Digisix in streetlit night shots and dial them into my 
Rolleiflex, how much do I need to bracket?   If, on top of the other things 
you've mentioned, Portra is more predictably exposed at night, you may have 
converted me.

Thanks in advance for your thoughts.

Sanders McNew.


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