I feel like the godfather character- I keep trying to get out and they keep dragging me back in! I really don't mean to be argumentative, and I think OPM/IJC has many great attributes. However I have to take issue with a lot of this, but you know, with a lot of love. As Antonis says, editing a master file for the anomalies of a given output system is unwise at a glance. Certainly saving a master file with those edits is not a good idea. But in fact, correcting for output at any given time is SOP in this day and age. We convert our master color file to the output profile either manually or on the fly all the time, that's the idea. We certainly don't save the converted file, that is destructive and it's usefulness for the future is very limited. We may even have a little editing to do to optimize our print through that profile and printer. Again, saving the master with those particular edits would be unwise. For mono printing systems, we may have a master 16 bit gamma 2.2 (for example) file. Our output system, whether Piezo, RGB driver after curves, ImagePrint, IJC, whatever, is never perfectly linear or possibly not appropriate for that given print. So we may have a final curve we want to apply to print they way we want today on whatever output system we have today. Why would anyone save their file in that state? It's device specific. Also, if our work habits are refined, a final curve to a high bit file is not very destructive at all. It's not an issue. I'll be willing to bet that, with OPM/IJC and the new Ergosoft option, after initial sep curves are developed or canned ones selected, final densitometer linearization is an overall correction applied at INPUT to the file on the fly. That's exactly the same thing as applying a final correction curve, exactly. Any other method of linearization would be ridiculously complex and have to alter each and every ink channel. So, that a file needs some kind of optimization for printing is not a plus or minus of any particular product or output system, but more of a convenience feature of whether or not it happens on the fly or you do it yourself in Photoshop. Black box printing systems- Piezo plugin and Pro ImagePrint Epson driver with RGB cures user can't edit (for experience reasons) Maybe some others, I'm not paying much attention at this point With these, if you have no flat spots, reversals, harsh transitions or other major problems, with well made master files a final tweak is not a problem. I'd say, for those not interested in delving the depths of individual channel control with the new systems, it's no different than what an overall linearization is going to do on the fly with these new systems. If the correction can be handled by the particular percentage points Photoshop offers in a custom grayscale space, you can even save it out and apply it when printing on the fly, assuming your output system accepts grayscale in. Obviously, new systems have extraordinary features for those who choose to work with them and I'm certainly stoked about the possibilities. But an output system is not dictating an unwise or destructive workflow, it may however make for a much more convenient one. Let me know if I'm missing something, please. This is worth restating- > Of course, as > profiles become available for OPM, not only are they canned and easy-to-use, > the whole thing is free, which is another matter to consider! Tyler
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Re: OPM in theory (to Martin's q.)
2003-06-06 by Tyler Boley
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