Piezo is brown only on a few pure white papers, such as legion photo matte, aspen dual sided matte, etc. On most other papers it is very warm in daylight, quite neutral under tungsten light. On off color white papers, it looks very nice, but on very white papers, I don't care for the brown tones. Especially for snow scenes, which I have a lot of. No doubt, it is a great product, but in comparison with almost every other inkset, WAY over priced. If you send for the sample print from inkjetmall, they may send you the same print I got, which was very muddy, very gray/olive green/brown looking, NOT a good quality print at all. The piezo system is capable of MUCH higher quality than the samples they send, and I haven't a clue as to why they would send those samples out as showing how good the piezo system is! Jerry Jerry & I have exchanged "opinionated" conversation about this. Piezo has a slight warm tone \ufffd But it is far from brown. The tone is no where near a sepia on every paper I have used or seen in two print exchanges from 60+ print makers. This evaluation includes when I hold them side by side with a print made with a cool tone monochrome set using Paul Roarke's curves. Warm black is quite different from brown. > > The Piezo inks are five times more expensive than the MIS Variable tone > Hextone or Quad tone inks, and they have paper profiles for the most > popular papers. A set of ConeTech Pigmented Quad inks is $260 for 4-4oz bottles. I guess that puts a set of MIS inks at about $50 for the same. In all my life I have rarely seen a price disparity this great for an equal quality product. Inkjetmall.com will send you a sample print for your evaluation. You can even send a neg or file and have them create a sample print from your image. It would be worth the investment before deciding on which system to utilize.
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Re: [Digital BW] Re: Getting started -- Cone or MIS?
2001-09-29 by Jerry Olson
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