> One thing I've learned, is that > > professional photographers those that make a living from there > work, are a > > step above the rest of us. >In a message dated 10/01/2001 5:05:17 PM Pacific Daylight Time, mwesley250@... writes: >>>>Ouch! Can't go there with you. I have seen way too much poor >photography turned out by pros and way too much brilliant work done >by non-professionals and lots of mediocre non-professional work and >stunning professional work to make me believe there is any strong >relationship between image quality and professional status. Ok I guess I'am referring to Commercial Photographers! Ad shooters, products, catolouges, the perfect stuff! With the perfect studio lighting! The ones I see and know doing this type of work are very picky, and the ones that cause the rest of us to raise the bar on quality. I don't mean the Gal at Penneys doing portraits, although she may be very good, this is not the kind of pro I have in my mind. Those that do different shoots every day, under difficult conditions, and deliver day in day out and make a living as well as pay there enormous studio lease payments. I agree "pro" is Subjective statement. snip>> > > With all the work > >behind you, how do you feel about the final results comparing the MIS > >prints to the Piezo prints? > Generally I'am pleased with the MIS inks on the 7000, (non VM HEXTONES)The > one thing I really dont like is the tone of the prints in daylight! They > are kind of greenish!(subjective) The exact opposite of Piezo, but they are darn right gorgeous in tungsten lighting. Piezo has a slight advantage of being non green in both lighting conditions. This could be the attraction of the Varible ink sets. The exhibit I'am hanging the MIS prints in is not a huge commercial exhibit so I'am talking the opportunity to show ink. They will either steal the show or embarress me, There are two other xray silver printers in this one. but I just about always take more risk than the normal guy would. The MIS epson 7000 combo delivers more contrast, the piezo 3000 I use prints darker. Right now I'am enjoying the slight pop in contrast which is good for my work, But my new stuff(camera based polaroids)(and old stuff 6x7 landscapes)will probably be more suited towards piezo. I don't have any issues with the piezo tone so eventually I'll be using Piezo pro as I think it will better handle a large variety of work, Everything from high contrast to long toned platinum looks. Risk is fun! Steve M. > > > > > > > > > > > (snip) > > > > > Please visit the Group Homepage to check the Files, Bookmarks, Polls and > other resources as they are often being updated. The page is at: > > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint > > Please follow these basic guidelines: > - Include your full name with your message. > - Include the address of your website, if you have one. > - As threads develop, trim off excess portions of earlier messages to keep > them short. > - As the topic of a thread changes remember to change the subject header. > - Good manners are required at all time. No personal attacks or "flames." > - Complete your Yahoo profile. > - Before posting a question, search the message archives and the various > resources on the homepage. > > > > > [Non-text portions of this message have been removed]
Message
Re: [Digital BW] Re: Getting started -- Cone or MIS? (LONG)
2001-10-02 by sdmey4@aol.com
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