Digital BW, The Print

Tyler,
Yes, you are correct...I did find a way to salvage the use, a 
distance farm scene with strong blacks and good clouds/sky, but still 
very soft. I was expecting to pull strong close up detail out of 
this, but there are better coated alternatives I see now. It is a 
terrific watercolor paper I should add, just not for fine-detail b&w 
photo-inkjet work. mark r.
 
--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Tyler Boley" 
<tyler@t...> wrote:
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Julian 
Thomas" 
> <julianthomas@t...> wrote:
> > My favourite inkjet print I've ever made is on that paper - with 
the
> > original piezo quads
> > 
> > Julian
> 
> I don't doubt that for a second. Even though I don't use it, I love 
> that combo, very silvery.
> To Mark R, if you so strongly disliked the initial impressions you 
> have of the look of the paper, no amount of tweaking is going to 
make 
> it look like the razzle dazzle options of the coated papers.
> Better to use what you have left seeing what you think of a subtle 
> soft middle tone or high key on it, or one that is killed by strong 
> blacks (I'm ducking now), to see if you have some occassional use 
for 
> it