Tim, The Blatner and Frasier book is invaluable for understanding color management and how photoshop works and I'd recommend it even if you had zero interest in duotones. I get the feeling that you are actually interested in duotone simulations using the colored inks. This and neutral printing with colored inks is probably the ultimate difficult thing to do well. That's why a real duotone, tritone or quadtone solution is valuable. Harder to start but easy to print once set up. I did get Yarc to write a 6 color independent manual channel driver option for their RIP for the Spectratones before they kinda dissapeared. Anyway if you want to do duotone simulations, "just" get a neutral grayscale, the adjust the color cast in curves in the individual rgb channels. It's direct, simple but difficult to do well image to image. I doubt there is an easier answer. Allen Maertz lincolninks.com Message: 4 Date: Thu, 02 Aug 2001 14:46:17 -0000 From: tyork@... Subject: Duotone Workflows was Re: Tim York: re:papers Martin, As I mentioned I e-mailed View Camera but they didn't know anything about the article. I'm not sure where to go now. I read Allen's comment to you but don't have the book. Oh well, C'est la vie. Tim
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Duotone Workflows
2001-08-03 by allentakichi@earthlink.net
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