Hi Allen, Thank you for your suggestions. I would like to achieve a b/w with as close to a selenium look as possible. I know that is difficult because of it's subjectivity but I think you know what i mean. The blue/purplish blacks and deep,rich grays that you could almost scoop the gray out of. Paper plays a big part to the look I'm trying to achieve, but if I can come close I will be happy. Using the duotones will also allow me to print color when I need/want to. If I can't get this then I will buy a second printer, but that still wouldn't get me my selenium-toned prints. Thanks again. Tim --- In DigitalBlackandWhiteThePrint@y..., allentakichi@e... wrote: > Tim, > > The Blatner and Frasier book is invaluable > for understanding color management and > how photoshop works and I'd recommend it > even if you had zero interest in duotones. > > I get the feeling that you are actually > interested in duotone simulations using the > colored inks. This and neutral printing with > colored inks is probably the ultimate difficult > thing to do well. That's why a real duotone, > tritone or quadtone solution is valuable. > Harder to start but easy to print once set up. > > I did get Yarc to write a 6 color independent > manual channel driver option for their RIP > for the Spectratones before they kinda > dissapeared. > > Anyway if you want to do duotone > simulations, "just" get a neutral grayscale, > the adjust the color cast in curves in the > individual rgb channels. It's direct, simple > but difficult to do well image to image. > > I doubt there is an easier answer. > > Allen Maertz > lincolninks.com > > > Message: 4 > Date: Thu, 02 Aug 2001 14:46:17 -0000 > From: tyork@a... > Subject: Duotone Workflows was Re: Tim > York: re:papers > > Martin, > > As I mentioned I e-mailed View Camera but > they didn't know anything > about the article. I'm not sure where to go > now. I read Allen's > comment to you but don't have the book. Oh > well, C'est la vie. > > Tim
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Re: Duotone Workflows
2001-08-03 by tyork@accesscable.net
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