Digital BW, The Print

This is a lot like planning a negative to print in the darkroom.  You first must know the ranges of your paper/printer/profile (paper/developer/light source, in the darkroom).  Once you khow where the points of blackest black and whitest white start you are in a position to make the call about what output levels you need in your output file for printing.  You need to run those basic tests on your printer(s) to start.  That's a lot easier on an ink jet than in the darkroom.

Steve Kale <stevekale@...> wrote:A basic PS question:  I am working my way thru Martin Evening's PS book as I try to 
learn more about digital.   I am a little confused by the discussion re Output Levels in 
the Image > Adjustments > Levels section.  Martin always seems to talk in terms of 
half tone printing presses and talks about constraining the output levels (eg 12 to 
243) to suit the press.  What if any alteration to these output levels should I do to 
print on an inkjet printer?   (I predominantly print using my Epson 2100 - both B&W 
and Colour but would also like to deliver content to larger format Epson printers or 
even a Lightjet printer at a lab.)

Thanks in advance

Steve


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