Hi Martin, Thanks for the tip...I'll look into your suggestion. The one thing I don't like about setting a Custom Dot Gain as your gray working space is that it's paper specific. In other words, if an image is worked up in PS with the working space set for one paper (PR, for example) and, then, you decide to print on a different paper (EEM, maybe) you've got a problem...the current "soft proof", if you will, could be (probably will be) incorrect. Thanks, again, for the tip. Alan Huntley > > From: "Martin Wesley" <mwesley250@...> > Date: 2003/10/28 Tue AM 03:29:38 EST > To: <DigitalBlackandWhiteThePrint@yahoogroups.com> > Subject: RE: Re: [Digital BW] 1280 vs. 2200 question > > Alan, Tom, > > There is an easier way to use the custom Dot Gain Curves. You save them and > use them "View>Proof Setup>Custom". You can then easily click the proof mode > on and off or switch from one to another if you use different papers. You > can just leave your file tagged as Gray Gamma 2.2 . > > Tyler Boley wrote down the exact steps and you can find them in the Files > section in folder: > > Files > Image Processing > Matching Your Monitor View to Your Prints.PDF > > If your monitor is well calibrated and you have densitometer or > photospectrometer you can excellent screen to print matches. If you don't > have the fancy equipment you can eyeball it and get close enough. > > Martin Wesley
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RE: Re: [Digital BW] 1280 vs. 2200 question
2003-10-28 by Alan.Huntley@cox.net
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