You're right about the larger sizes. I've got 40 years of darkroom experience. I find that anything of 16x20, even with the right equipment, is a major undertaking. You can process in trays or drums, but no matter, big prints are demanding. Also, consider the cost of a single blown print. I don't know if there are still labs to do it, but I saw, as recently as 5 years ago, silver prints up to about 10 feet. They were incredibly expensive. But, beautiful. I think they were in the $1000 dollar range, but I'm not sure. Personally, I would not undertake making large prints again in a darkroom even if they gave me the darkroom when all was done. What would one do with a darkroom now. Unless, of course you would like to be one of the few people in the world doing that type of printing. Maybe there's still money to be made there. I have never seen a 30x40 platinum print. I suppose someone does that sort of thing, but it would be highly unlikely that a commercial lab would do it. Tony Caltabiano <calpen1@...> wrote: Hello group, I hope the collective wisdom here can help me out. I have been doing giclees for a client for quite awhile now who does fine art wet plate collodion. His smallest prints are 16x20 - and are up to 30x40. He has decided that although giclee is his main medium, he would also like to have the same images printed the same sizes in silver and platinum/paladium for the customers/galleries that would prefer not to have giclees. On the digital end I know this would pretty much involve getting imagesetter negs made really big for contact printing/make negs myself on the Epson 9600. I have Burkholder's book, and I am confident that I could get that whole process nailed down. But I am seriously at a loss on how to handle this on the darkroom side of things. He has already arranged to BUILD me a darkroom nearby. While I am a fine art photog myself, I send everything through the epson 9600, not the darkroom. I am not very skilled at printing the traditional way, and have never even touched platinum. I live just outside of Los Angeles, and I can't find a BW lab who can do anything bigger than 20x24. Platinum printers are hard to find, period. So I am having trouble being able to outsource it, and I am feeling like I am in way over my head doing it myself. Can anyone with experience with the larger side of printing offer me any ideas of where to turn, or what books to look at? I would assume that printing 24x30's and larger to hang on gallery walls is not an easy undertaking? Thanks in advance for guidance. Tony Tony Caltabiano Higher Place Studio www.higherplacestudio.com Yahoo! Groups SponsorADVERTISEMENT Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at: http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint If you wish to receive no emails or just a daily digest, or you wish to unsubscribe, please edit your Membership preferences by visiting this same page. Please follow these basic guidelines: - Include your full name with your message. - Include the address of your website, if you have one. - As threads develop, trim off excess portions of earlier messages to keep them short. - As the topic of a thread changes remember to change the subject header. - Good manners are required at all time. No personal attacks or flames - Complete your Yahoo profile. - Before posting a question, search the message archives and the various resources on the homepage. Your use of Yahoo! Groups is subject to the Yahoo! Terms of Service. [Non-text portions of this message have been removed]
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Re: [Digital BW] one of my customers wants silver and platinum - big
2003-11-09 by Tom Baker
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