Am using the lighter weight 190. The drafsman's brush I don't know what it's made of, but it's soft enough not to cause any issues, (although has fixed the problem). (In fact I use this brush to clean my mats right before laying on the glass while framing and it has spared me numerous headaches). The fine art entrada does appear to have flaking issues on a small percentage of the sheets if you don't brush it , but since I started brushing every piece, have not had one single problem. Here's another trick I found works perfectly...if there is a spot that has flaked, find a Pentel Ceramicron black fine tipped pen cartridge (I use this for my finest line work on other stuff), and 'touch' the white specks which have flaked which would otherwise ruin your print...the ink blends seamlessly with the printer ink (Mis-VM). Best, Mark --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Bernie Ess" <albatros-@g...> wrote: > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "markroth61" > <mark80905@h...> wrote: > > You can get those results with your 1160...keep trying. I just hung > a > > show here in Santa Fe, and was thrilled with the results on the > wall, > > printing with my 1160. Don't worry about darkening your levels > > adjustment, and keep fiddling with your driver automatic adjustment > > sliders to tweak the output, along with creating a transfer curve. > > Meanwhile, give the Moab fine art entrada a try, (brush it first > with > > a draftsman's brush before running it through the printer). > > Best, mark > > Hi and thanks for your reply: indeed I should try and experiment more > with the ink settings and paper. Which entrada paper do you use - 190 > or 300g? And what about this brushing: won't it take the coating away? > > regards Bernie
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Re: silver print shock today
2003-11-15 by markroth61
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