Richard, thanks. I've been using the old Generations 4 black at the suggestion of the late, great Jerry Olson. I found that to work for me as I don't hang things for very long. Maybe that spoiled me and I'll just have to get used to a warmer tone black. You may remember Linc has the same comment hre about warmness of Eboni when printing BO. He was coming from the dye Epson black in his 1280. Bob --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Richard Sintchak <richcontaxg@s...> wrote: > Bob, > > It has been my experience that the FS-N black is cooler than the UT > black (aka Eboni) right out of the printer. Unfortunately the FS-N > black warms considerably (and fades too). I have FS-N prints even > under glass that warmed a lot in the last year or so (fortunately I > like the warmth that has occurred for portrait shots). So, while the > FS will give you a more neutral output it will not stay that way, > while the Eboni will be warmer (I do not find it overly warm when > viewed alone) it's pretty much, straight out of the printer, as it > will stay. > > -- > Best regards, > Richard mailto:richard@c...
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Re: [Digital BW] getting UT cooler, like I used to get with FSN & G4 K
2003-12-07 by Bob Michaels
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