Indeed. It is a little like pt/pd compared to silver. For a long time I
printed silver, usually Seagull G or Portriga. After printing pt/pd for a
while, I would go to an exhibit by an artist who specialized in ultra-sharp
silver prints, e.g., Howard Bond, and it was like looking into a
searchlight. I recently had the opportunity to go through the 9/11 b&w
prints by Kevin Bubriski, printed on 20x20" silver by him. They are
masterful, and I doubt that any inkjet process could capture the moments as
well. But, I don't do PJ...I do abstract landscapes, infrared and such, for
which inkjet is well suited. Like a very good gravure.
Regards,
--Ken Carney
www.kencarney.com
-----Original Message-----
From: Truman Prevatt [mailto:tprevatt@...]
Sent: Wednesday, December 10, 2003 5:32 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: [Digital BW] The Holy Grail?
>>The highlights on this paper with the VM ink are subtle and
delicate. The highlights on Seagull can hit you in the head. There is a
difference and after a time I've have come to appriciate the strengths
of digital prints on matt paper.Message
RE: [Digital BW] The Holy Grail?
2003-12-11 by Ken Carney
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