As I mentioned earlier, I have experimented with a two color Black and White profile using Bauhaus IJC. Starting with using Epson Matte Black and Light Black only I merely dropped all other inks in the EEM profile and linearized with IJC. Using Moab Entrada 300 Gm. paper in the Epson 2200, the results are rather pleasing. As expected, the tone approaches sepia, but with the sunlit image of an antique market, the tone seems appropriate. Compared with the same image using all seven inks with a profile for Epson Enhanced Matte, there is very little difference under a 10x loupe in highlight dots or apparent resolution. Tomorrow I will look at the print in sunlight and see if there is any metamerism, as well as print the image as BO through the Epson driver. I look forward to repeating the experiment with Eboni to see if the tone comes closer to neutral as reported by Clayton Jones. Over all it may have the advantage of Black Only (no metamerism) with smoother highlights due to the light black. Of course this may depend on what's in the light black. As good as the IJC profiles are, I can see some shift to green under gallery Halogens with all seven inks compared to daylight. Angelo Dounoucos
Message
Black and Light Black printing (was Bauhaus Crash?)
2003-12-21 by evangdoun
Attachments
- No local attachments were found for this message.