--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Steve Kale <stevekale@= b...> wrote: > Carl > > As part of my continuing poking under the hood of QTR I printed the 21 st= ep > wedge file 21step.psd using firstly your 100% EEM cool then 100% warm (an= d > then also a curve using just the 27/27/56 LC/LM/LK mix you used to produc= e a > cool LK in order to see clearly the hue of the cooled LK). In each print= out > there is on the top 1/3 part of the strip which has the smoothed transiti= on > a dark patch from 100 to say 97, ie at smooth transition abruptly stops > around 97 and 97-100 is the same shade of grey. I suspect that this shou= ld > not be the case it is not that way on the screen. What¹s causing this?= > Is it simply that the two ends of this image are not part of the scale? = I > note that when looking at the stepped (bottom) part of each image the 100= > and 0 blocks are wider than the rest and the dark patch I see kicks in > exactly 1cm to the left of the right side 100% marker (each 5% block bein= g > 1cm). If this is the case I am surprised that the extra bit on the left = is > abruptly darker than where the 100% mark would be. > > Can you also explain to me the second scale on this file ie 0-160. > > Cheers > > Steve > Hi Steve, I haven't seen the gradient so maybe Carl can comment on that. In general though the 95-100 range has very steep curves in the black ink so it is a hard area to deal with. As far as the 21step image, the reason the 0 and 100 patches are slightly wider is because Photoshop does gradients that way. Do a gradient and posterize, and that's what you get. I always thought it strange, too. The scale at the bottom of 0-160 is a little outdated, but it was target densities when I was individually measuring patches and my dMax was 160. Cheers, Roy BTW, I think it great for you to get up to speed understanding and making profiles. The more the merrier. I find looking at the ink graphs to be th= e best way to understand what various changes do. Roy
Message
[Digital BW] Re: QTR and Making Curves
2004-01-24 by Roy Harrington
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