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Digital BW, The Print

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RE: [Digital BW] Colorburst RIP: anyone using?

2004-03-12 by Robbe Gibson

The grayscale profile choices are limited to glossy and luster with PK.
The color profiles will print grayscale but have a different 'tone' to
them.
Colorburst has some problems with sheet feeding and centering on the
7600. Their comment on the problem was 'nobody prints sheet stock on a
7600 anyway'. I understand that due to differences in 'microweave'
methods between the 2200 and 7600/9600, the print quality is also
different.

Their 'environments' are made by the user and are comprised of a paper
profile, paper size, configuration(sheet/roll/cut, non-cut), microweave
passes, bidirectional choice, 720/1440, etc. You have to set up an
'environment' for each paper type/size, color/grayscale and so on.

Is anyone using Colorburst on a Mac? Have you been able to get the
'Rendezvous' printing from Photoshop to work?

Take care.

Robbe Gibson

-----Original Message-----
From: chipcarterdc [mailto:chipcarterdc@...] 
Sent: Friday, March 12, 2004 11:09 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: [Digital BW] Colorburst RIP: anyone using?

I downloaded the demo of this RIP and will be setting it up in the next
few 
days for both my 2200 and eventually the 9600.  It looks interesting --
I 
imagine that, like ImagePrint, I would use it primamrily for B&W if I
get it, as I'm 
satisfied w. the color images from Ultrachrome printers.  Any current
users 
have any feedback on it generally?

Specifically, I found this statement on their website to be interesting:

"ColorBurst utilizes Total Ink Limit and Black Preservation in
pre-configured 
environments [note: they call profiles "environments."] The Black
Preservation 
feature allows ColorBurst to achieve a deep rich black by not limiting
the 
Black channel in relation to the Total Ink Limit. This feature enables
users to 
get a great black with Epson's Photo Black cartridge even on Matte and
Fine 
Art papers. "

Is this actually true?  I thought the photo black/matte black switching
was 
necessary not only b/c of better blacks when using photo black w. glossy
and 
matte black w. matte papers, but also because of "adherence" problems --
i.e., 
that using photo black ink on matte paper will result in "ruboff."  (Or,
is it only 
using matte black on glossy papers that will reuslt in ruboff?  I
assumed the 
problem ran in both directions...)

Thoughts on this RIP generally or on the quote above?



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