Digital BW, The Print

Chip, did you not mention you were thinking of doing print for pay?
This is just like being dedicated to fine darkroom work, there is a
steep learning curve to really do things right and stay as crisis free
as possible. I can't imagine keeping things running smoothly here
without ongoing calibration and constant learning.
If you were doing fine art darkroom print for pay, how much expertise
would you be expected to have?
For personal work, anything goes of course.
Tyler

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "chipcarterdc"
<chipcarterdc@h...> wrote:
> 
> "Then buy QTR and pay your $50...."
> 
> You miss my point.  I already have QTR.  What I don't have is the
time, ability 
> or desire to learn how to use a spectrometer or whatever in order to
use QTR 
> to drive the Piezo or other grayscale inkset.  Not everyone will
agree with my 
> perspective, of course, but I'm willing to bet there are a lot of
photographers 
> who are not technophobes but are also not technophiles, and feel the
same 
> way.