Digital BW, The Print

any idea about his itinerary?
TIA
t

> From: Robert Morrison <rmorrison@...>
> Reply-To: DigitalBlackandWhiteThePrint@yahoogroups.com
> Date: Wed, 17 Oct 2001 08:41:59 -0700
> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Subject: [Digital BW] Robert Rex Visit & Indelible
> 
> Had a nice visit with Robert Rex yesterday.  He is now traveling with
> Morrison coated Museo prints (PiezoBW and Color Piezo) if you would like to
> see something sooner than the next print exchange. Martin, also saw your
> coated Museo prints for the first time.  They look nice...really like the
> image...but I see the application problems you were having.  I don't think
> you will have the samme problems on Museo with my formula.  Museo 365g is
> probably the easiest paper out there to coat...followed closely by Eclipse
> and Photo Rag.
> 
> Robert
> 
> PS  Robert can't say enough about the Indelible Ink set...that I think was
> talked about briefly several weeks back...I think I'm going to check it out
> for color...and maybe run some duotones.
> 
> 
> 
> On 10/17/01 7:27 AM, "Julian Thomas" <julianthomas@...> wrote:
> 
>> Sure www.lenswork.com
>> 
>> Julian
>> ----- Original Message -----
>> From: "Alejandro Montiel" <amontiel69@...>
>> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
>> Sent: Wednesday, October 17, 2001 4:22 PM
>> Subject: Re: [Digital BW] Lenswork issues
>> 
>> 
>>> Hello Julian:
>>> 
>>> Do you have any information on how to obtain the
>>> magazine? An URL or some other contact info?
>>> 
>>> Thank you
>>> 
>>> 
>>> --- Julian Thomas <julianthomas@...> wrote:
>>>> Sorry for the cross post, but this I think fits both
>>>> lists.
>>>> 
>>>> I've just received two copies of Lenswork - issues
>>>> no 36 and 37. If no one
>>>> has seen this magazine it is a must. it is very well
>>>> written, aiming at an
>>>> intelligent audience (one issue even has an article
>>>> by Tolstoy!) with
>>>> well-presented photography - almost like an academic
>>>> journal but more
>>>> readable!
>>>> I ordered these two issues because of two articles
>>>> - one by Brooks Jensen
>>>> on editioning, and one by John Wimberley on 'dealing
>>>> with dealers'. Some of
>>>> you know that I had an unpleasant expereince at a
>>>> Gallery where I was told
>>>> that I could only make 4 copies of an editioned
>>>> print 'for it to be art',
>>>> and that I had to 'make it big'.
>>>> Brooks makes the valid point that editioning is
>>>> solely a marketing ploy and
>>>> that it is better to sell more prints at a lower
>>>> price than artificially
>>>> limit the sale to an arbitrary number of prints.
>>>> John tells a number of horror stories and then
>>>> advocates breaking the
>>>> dealer's monopoly by photographers contacting
>>>> collectors directly.
>>>> Now this last point, to me, is the crux of the
>>>> problem, if editioning only
>>>> benefits dealers, then in order for the photographer
>>>> top benefit, one needs
>>>> to sell directly to collectors. But HOW?? Has anyone
>>>> any thought on this?
>>>> Some people use the internet
>>>> http://www.davebeckerman.com/ for example.
>>>> Anyone else do this?
>>>> 
>>>> Julian
>>>> -----------------------------------
>>>> Julian Thomas
>>>> Bruc 168-6-1
>>>> 08037 Barcelona
>>>> 
>>>> Gallery at
>>>> http://www.mwords.co.uk/galleryGuests.htm#
>>>> and
>>>> 
>>> http://www.borderless-photos.de/jthomas/jthomas-01.html
>>>> 
>>>> tfno 679676321
>>>> 
>>>> 
>>>> 
>>>> 
>>> 
>>> 
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> 
> ----------------------
> Robert Morrison
> rmorrison@...
> 
> 310-397-2704
> 
> 4131 Bledsoe Ave.
> Los Angeles, CA 90066
> 
> 
> 
> Please visit the Group Homepage to check the Files, Bookmarks, Polls and other
> resources as they are often being updated. The page is at:
> 
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> 
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> 
> 
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>