Hi Paul, For fine art (cotton) paper, do you use either the Krylon Acrylic Varnish B72 or Grumbacher B77 recommended by Merrill. It mentioned that the Grumbacher B77 will not saturate the surface (referring to pastels) the way the Krylon B72 tends to do. What does this mean and how does the difference affect the way the print looks? Do prints sprayed with these products differ much in appearance or toughness from those treated with Premier Art Print Shield, which is virtually invisible on photographic prints made with pigment inks on fine art paper. Thanks, Tom Andrews http://www.wildlandart.com > I also have more confidence in the post-printing sprays to seal the pigments > than I do in the "swellable" coatings. The classic B-72 acrylic formula, > for example, has been used by conservators for years. (See, Ross Merrill, > Chief of Conservation, National Gallery of Art, Washington D.C. (1997), > "This product will remain unchanged for 400 years ..." > http://www.bmi.net/knapp/iapsmerrill.html ) > Paul > www.PaulRoark.com
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Re: [Digital BW] Stability: go figure
2004-05-07 by Tom Andrews
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