Mike, At the moment I just have UC inks in my 2200 so I can't tell you what I'd get with different inks and QTR on the 2200. I think the primary reason for the smooth 1160 is just simply that it has a lighter gray than the UT7 or UT2 inkset. The effect of a lighter gray is beneficial in two ways. First the dots are simply lighter and even in a field of white they are less obvious. Second, for a given shade on the paper, you will be using more dots and therefore they fill in the spaces more. I've looked at the scan a little more and it appears that there are also a fair amount of the sepia ink dots -- yellow slot. I think the print was made with the "default" method where the Epson driver mixes all the inks to produce what it thinks is neutral. There's a good possibility that using the PS curves it would be smoother. Roy --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "mike_nunan" <mike.nunan@c...> wrote: > Hi Roy, > > Maybe it is a driver issue between those two. Are you set up to do a > QTR UT print on the 2200? That would settle it I guess. > > Also, what do you think it is about the 1160/VM combination that > makes it so smooth? VM only has black and three grey shades, same as > UT, right? > > -= mike =- > > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Roy Harrington" > <roy@h...> wrote: > > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "mike_nunan" > > <mike.nunan@c...> wrote: > > > I'm mainly hoping Roy and Paul can shed some light on this, but > if > > > anyone else wants to jump in, please feel free. I've been > looking at > > > Roy's very interesting scans of prints, posted in the > thread "Dots > > > and More Dots". I must admit, I'm slightly surprised by the > > > differences. On my monitor, the images measure 4"x4", so that's a > 16x > > > enlargement factor relative to the physical print. That means > that > > > viewing the screen from 8ft away is like looking at the print > itself > > > from 6", which is about as close as I can focus with my naked eye. > > > > > > What I'm surprised by is the fact that there is such a difference > in > > > visible dot between the 2200/UT7 print and the 1270/UT2+1160/VM > > > prints, especially against the UT2 prints as I thought the inkset > > > used a very similar set of grey tones to UT7. If anything, I > would've > > > expected the 2200 print to be finer due to the smaller drop size, > but > > > instead the reverse is true. The difference is clear at an > effective > > > 6in viewing distance and still noticeable at 8-12in, so this > would > > > definitely be a concern to me in a real print. Any idea what > gives? > > > > > > TIA > > > > > > -= mike =- > > > > Hi Mike, > > > > I was also a little surprised at that difference as well. I think > the > > dotsizes of both printers is advertized as 4 picoliter so that > > shouldn't be a factor. I don't know if there's any difference in > the > > densities of the inks in the two sets. Maybe Paul can address that. > > That pretty much leaves the driver as the only signiicant > > difference. The 1270 print was done with QTR with curves I made. > > The 2200 print was done using the Epson driver so its a little > > hard to say what ink is used where. My guess is that it uses one of > > the darker inks (maybe the LK) at a lighter gray. > > > > Roy
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Re: Understanding dots and dots
2004-05-25 by Roy Harrington
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