Off topic, but Michael Smith has commented about the same issue. Cole used enlarging papers (much to the discredit of the original images), while EW used contact (azo/convira) papers. see www.michaelandpaula.com Don --- Ken Carney <kcarney1@...> wrote: > Interesting thread, as I sit here trying to figure > out how to make b&w > prints on the 2200. I've watched Cole make contact > prints from EW negs, > kleenex wrapped around a single light bulb, Amidol > and the whole nine yards. > The problem was that he couldn't duplicate the > particular silver grades that > EW used. It's tough to find grade 0...there are VC > filters but that would > be heresy. The other day I downloaded a 10mb file > of the Dorothea Lange > "Migrant Farm Worker" from the FMA site, airbrushed > out the thumb in the > right side and touched up the contrast a bit. > Another thing I'll burn for. > > Someone asked EW what his favorite photo equipment > was -- the answer was his > dry-mount press. 60-70 years can change a lot. For > the better I hope, > though those old prints still tug at the > heart-strings for old farts like > me. Enough nostalgia - email off to Colorbyte to > see when IP6 is coming out > for XP. __________________________________ Do you Yahoo!? Friends. Fun. Try the all-new Yahoo! Messenger. http://messenger.yahoo.com/
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RE: [Digital BW] Re: Weston Print
2004-05-29 by D. Hill
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