Hi, I am in a situation which forces me to send my film out to the pro lab for processing. I find that Tech Pan is only an option in the dullest of conditions (when it is fantastic); yet I've seen desert shots with Tech Pan, with a red filter, what's more. In anything like sunny conditions, the highlights and shadows are totally lost. Do you think that asking the lab to under-develop by 30% would be a good idea? Any thoughts would be appreciated. thanks, Richard -- http://smallfield.vze.com http://photos.smallfield.vze.com "We don't see things as they are, we see things as we are." --Anais Nin
Message
OT - controlling tech pan contrast
2004-06-25 by Richard Smallfield