A CMM uses ICC profiles to remap input color to the nearest printable color the device/paper/ink can manage. Quadtone profiles require density remapping for propper gradation, but also assigning different tonal areas of the input to their apropriate quad ink. This assumes a standard color driver without this partitioning capability built in. The ICC approach and profiling software has no way of knowing you want to send all your highlights to a light gray ink that happens to reside in the yellow ink tank, then smoothly transition to a darker ink that happpens to reside in the magenta tank, etc... This isn't to say you coudn't profile it, and even print through your profile with possibly some success, but there will be no ink partitioning to take advantage of using a quad inkset. Color management, with the use of a profile, simply remaps color from one defined space to another as closely as possible given the characteristics of the two spaces. Hope that makes sense. Tyler --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Andre Vallejo" <mastologia@p...> wrote: > As always,I'm trying to consistently match my mono prints (MIS-UT-FSN,Epson 1160,matte and smooth pearl paper). > So I wrote to a known professional profiler maker to see if I could have one made for this combinations. I quote the answer: > > " Quad-tone ink sets require proprietary software code to be used instead of the standard color ink set. Standard color ICC profiles are not useable with these ink sets because of the proprietary software code. The only place you can get profiles for quad-tone ink sets is from the supplier of the specific ink set. " > > I'm not sure I understand what the problem is...If one has the spectrophotometer,the printed patch and the profiling software,what's the problem? > > Best > > Andre Vallejo > www.andrevallejo.net > > > [Non-text portions of this message have been removed]
Message
Re: Building profiles
2004-07-19 by Tyler Boley
Attachments
- No local attachments were found for this message.