I assume the licensing deal is to keep you from making copies of the "book/CD" and passing it around. I e-mailed this guy on how he can charge $80 for a book when really all it is a PDF file and some sample images on a CD. You would think saving the cost of not having the book printed he would have a better price structure. Now I am sure the "book/CD" may be worth that amount, but if you compare it to other information books on this subject, it is pretty pricey. If you want a hard copy of this it will cost you another $20 or more to get it printed on a good stock in color at Staples or somewhere else. JMO Mark On Aug 19, 2004, at 4:45 AM, Dennis W. Manasco wrote: > This looks like a really interesting and useful book. > > However: > > Each order requires signing an "Agree To > Licensing Agreement & Signature" line on the > order form. > > Does anyone know what this is about? If you > select the "Licensing Information" link all you > get is a page that says "Coming Soon!" > > I'm more-than-somewhat loath to agree to a > license sight unseen. If it is something about > not giving away the process and curve-building > files to people who didn't buy the book that's > one thing (though a bit historically arrogant). > > BUT: > > If it says something in it about not using the > method for financial gain without paying > royalties and/or crediting the author of the > process on your print, or something like that, > then that is another proposition entirely. > > (Imagine if Adam's Zone System books had required > you to sign a license that said that you wouldn't > teach his methods to anyone else, that you would > pay Adams a royalty on every print you made using > them and give him equal billing as > co-producer...) (or if Ni�epce had patented any > process that reproduced images of > three-dimensional scenes on a two-dimensional > surface using lenses and chemical agents....) > > Anyway, I'm a bit concerned about signing > licenses on the internet (rather than on paper) > where they can change at any time without > providing any proof of their previous form. And I > really can't see signing a license sight unseen: > You could be signing away your rights to any sort > of tangible or intangible asset; even an > unenforceable contract can require significant > court costs to defend against. > > All of which kinda p's me off since, from the > description of the book, I'd really like to send > this guy 80 bucks and get a copy of the book/CD. > > By the way, I was going to CC: this message to > Mark, but the "email Mark Nelson" link on the > page only gives the familiar "Coming Soon!" > response. > > > -=-Dennis > > > > At 9:16 pm +0000 8/17/04, donbga wrote: > >� > Does anyone have experience in producing hi res digital negatives > >>� from which to contact print traditonal silver B&W wet prints? > >>� (Similar to what Lenswork magazine is doing with their limited > >>� edition silver print series.) > > > >You may wish to check this URL for a soon to be released book about > >the the topic of digital negative geeneration. > > > >www.precisiondigitalnegatives.com > > > >Don Bryant > > > Please visit the Group Homepage to check the Files, and other > resources as they are often being updated. > > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint > > If you wish to receive no emails or just a daily digest, or you wish > to unsubscribe, please edit your Membership preferences by visiting > this same page. > > Please follow these basic guidelines: > - As threads develop, trim off excess portions of earlier messages to > keep them short. > - Good manners are required at all time. 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Message
Re: [Digital BW] Re: Digital to Silver
2004-08-19 by Mark Savoia
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