Daniel Staver wrote: >>Problematic metamerism happens already at indoor conditions, I >>doubt there's an ink that will not metamerise when used outdoors >>if profiled at 5500K. > > > You're probably right. But the shift is also very visible just between > the two lamps on my desk. Under one lamp a deep blue sky will look way > too purple, under another it's closer to what I see one screen. If I > move closer to the window it starts to look cyan. > > Once I swapped out the yellow cartridge with an UT yellow (very light > carbon gray) cartridge to see what happened when I printed a grayscale > image. The resulting image was bright purple, which means they Epson > driver is running all the colors nearly full strength and trying to > balance them out to look neutral. Very different from the IP/QTR > approach of printing mostly K+LK and subtly toning them with just enough > ink to make the print look neutral. Daniel, That the Epson driver is using the channels at full strength doesn't surprise me given the gamut of that inkset. Epson makes a color printer in the first place to satisfy the customers and the balancing act of getting nice greys as well is something for the pros. Getting nice greys only is yet another niche in the market. But not so niche as I thought some time ago, this mailing list has as many members as the Qimage list :-) Ernst
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Re: [Digital BW] Re: Tungsten Balance of Epson Archivals
2004-09-18 by Ernst Dinkla
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