Digital BW, The Print

One thing you can try is applying the neutral curve to one image, and 
the warm curve to a copy of the image. Then put the copy on a separate 
layer over the cool one and play with the transparency.

If you like the results it's fairly simple to make a new curve using the 
values from the mixture of the two previous ones. I'll combine and 
linearize them for you if you mail me the combination you'd like to have 
as a curve.

Not all curves combine well in this manner though, but sometimes it 
works well, and it can be less intimidating than tweaking the curves 
directly.

You could also check out QuadToneRIP. It will let you combine the 
profiles any way you want.

--
Daniel Staver
http://daniel.staver.no


Bernie Ess wrote:
> Hello, 
> I print UT7 on a 2100. On Premium Semigloss I get very good results
> with "cool", actually they look very neutral. As I find the carbon
> (let alone the Sepia) curve too warm for my taste I would like to have a
> slightly warmed up curve - same tone as with BO printing. 
> 
> I could print BO for a warm tone, however the transitions in BO are
> not as smooth as I like them to be, specially in the darker greys. 
> 
> Is there an easy way to tweak the curves to get a mix of "cool" and
> carbon"