Digital BW, The Print

>>"My target is my lightly-selenium-toned silver prints 
>>(Kodak Polymax Fine Art, Dektol, Rapid Selenium 1:19 2-3 min.)."

>... The tone I've been getting for the last six months or longer first
>with the VM inks and now with the UT2 inks that I installed a few days ago,
>using EEM, a 1280 printer, and your EEM neutral curve, have a more dramatic
>selenium look than this target would produce with Polymax Fine Art paper.

Yes, I'm on it.  Although there will always be subjective differences as to
what makes the "best" B&W image, the hues have migrated to a more "selenium"
look than the target.

>...  I assume the problem isn't the inks since I've obtained the 
>same look with both the VM and the UT2 cartridges ...

I have not tracked the VM hues lately.  

Probably the best short term fix is to use a cool curve.

Paul
www.PaulRoark.com
____________________________________


----- Original Message ----- 
From: "Paul Roark" <paul.roark@...>
To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
Sent: Thursday, November 04, 2004 2:19 AM
Subject: RE: [Digital BW] MIS VM & OS X [was] Re: quadtone curves in OS X




>When you refer to UT-FSN as "neutral" do you mean "neutral" but with a
>selenium-toned look like the neutral with UT-2 inks on EEM paper or neutral
>without any appearance of being toned? And if the latter, with what papers
>does it achieve that look?

There is a slight "selenium" (magenta) bias built into the "neutral" inks I
mix.  My target is my lightly-selenium-toned silver prints (Kodak Polymax
Fine Art, Dektol, Rapid Selenium 1:19 2-3 min.).  To be specific, the
midtone density will have spectrophotometer readings such that cyan and
yellow are equal and magenta is up 0.01 unit.  Of course, these are my
targets.  The actual ink in the market may be different.  Getting the
production inks to consistently be on target is an issue that is on the
front burner.

Paul
www.PaulRoark.com






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"MODERATORS" OF DIGITAL BW, THE PRINT YAHOO GROUP HAVE BEEN ADVISED OF THE
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