Hello Bruce, >A compromise needs to be made that only the skilled eye of a >printmaker can shape for most pleasing results. I think you have put your finger on the thing that I was intuitively feeling but couldn't articulate. I have also been following this discussion with a lot of interest, but while the theories make sense I still couldn't quite see the practical application and have had an uneasy sense about it. I have never really understood the technicalities of what we're doing (the gamma-this and log-that just makes my eyes glaze over), so my own pathfinding has been a mostly intuitive process based on years of darkroom experience. >The monitor can be changed to match the print, but not the other >way around. This is exactly what I eventually arrived at (but from a non-technical approach), hence my workflow practice of setting the printer profile to "Same As Source" and choosing a document space profile to get best WYSIWYG.
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Re:tonal range
2004-12-05 by Clayton Jones
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