Digital BW, The Print

José,

>... 2100/2200 ... metamerism issue is unacceptable.

>... I’m used to ... Ilford paper (fibre base warm tone and selenium 
>toned – examples of that colour can
>be seen here: http://www.jmf-photo.net/franca.html ).  

I pulled one into Photoshop and the eyedropper gives me a reading I would
call a light sepia. 

>I checked alternative ways of printing my B&W work with a warm tone, 
>but the only thing I could find was the PiezoTone inks (warm neutral 

These are not nearly as warm as what is on the web page.

>and carbon sepia)

This would still probably not be as warm.

> which I don’t particularly like because I would be stuck with the
>same “standard” colour.

The MIS UT7 would give you a variable-tone inkset with a sepia toner that
you can modify as needed.  The standard sepia is 84% light carbon ink, 8%
MIS 7600 M and 8% 7600 Y.  By altering the ratio of the M & Y, you can make
a custom sepia tone.  The 2200/2100 separate and easy-to-fill carts make all
this real easy and cheap.

(Nice shots, by the way.)

My Readme file on the UT7 is at
http://home1.gte.net/res09aij/UT-2200-Readme.htm ; my general index of
printing information is at http://home1.gte.net/res09aij/index.htm .

Have fun.

Paul
www.PaulRoark.com