hi John - Joe's "canned" curves are a good starting point, but you may need to make significant changes. Here is a curve-editing procedure you may find helpful. 1. Prepare a 26 step grayscale step wedge suitable for your spectrophotometer. The Photoshop gray values of the patches should be 0%, 4%, 8%, and so on, up to 100% of black. 2. Print the step wedge through OPM using your starting "profile." 3. Measure the luminance (L*) of the patches, import the data into Excel, graph the points, and compare the resulting curve to a luminance target straight line from your maximum L* (paper white, at 0% K) to your minimum L* (Dmax, at 100% K). 4. Adjust ink levels using "free edit" in IJC. Add ink where the L* plot is above your luminance target line; remove ink where the L* plot is below target. You'll need to study your curves to decide which ink to vary in each part of your gray scale. Also, to get the best possible Dmax (i.e., lowest minimum luminance), adjust the ink mixture at 100% carefully. Save the adjusted ink curves as a new "profile." 5. Repeat steps 2 through 4 until you get the best result you can. When you're very close, you can try using IJC's "Linearize" function to see if it does any better than you can by hand. I use an X-Rite DTP-41 strip-reading spectrophotometer for this kind of work, and I have found working toward a linear gray ramp in L* space works very well. If you don't have a spectro, you can work with a densitometer and convert density readings to L*, or you can work with densities instead of luminance, but in this case you should work toward a gamma curve target, not a straight line. If you don't have a densitometer either, you may be able to get decent results working with a scanner, but you'll be at a disadvantage, I think. I realize this may seem a bit sketchy. Expect a fairly steep learning curve if this all seems new to you. Richard Wolfson Fine Art Photographer & Digital Imaging Consultant > -----Original Message----- > From: johndavidgill2003 [mailto:jdgill@...] > Sent: Wednesday, January 05, 2005 11:08 AM > To: DigitalBlackandWhiteThePrint@yahoogroups.com > Subject: [Digital BW] IJC/OPM - Creating Curves from scratch > > Any pointers on how to do this? > I have an Epson 1160 with VTBlax dedicated B&W inks. How does > one determine what the curves should look like for each of > the 4 inks (if indeed all inks should be on)? I know how to > set the ink limits but after that the ink shapes section is a > bit of a mystery. I tried using the Black ink, dark grey ink > etc sample curves and just got a very dark print. > Is there a simple step by step way of doing this that would > at least get me to a reasonable starting point? > > I realise I might be missing something obvious (it has been > known) but all and any help would be appreciated. >
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RE: [Digital BW] IJC/OPM - Creating Curves from scratch
2005-01-05 by Richard Wolfson
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