In a message dated 1/6/2005 7:55:00 AM Pacific Standard Time, joelpickford@... writes: > Regarding the 7000 vs. 7600 Cone print quality > comparison, I had a couple of 16x20s done at West > Coast Imaging a couple of years ago on their 7000 > printer. I liked the prints very much at the time and > I think the people at WCI do a great job in general > with what ever processes they happen to be working > with. But when I got my 7600 and printed those same > images, then placed them side by side with the WCI > 7000 prints, the quality difference was very apparent, > both in ink dot graininess and tonal scale smoothness. > Snip> Interesting Joel. I have heard on several occasions that the 7500 and 9500 where a tad more grainy in output compared to the 7000 and 9000. I have both a 7000 and a 9000 and even with same inks I could never get a perfect match between the printers, close enough but there have always been differences and probably always will be. I do use 5 of the inks most of the time Black, 2 magenta densities and 2 Yellow densities and various combos of Sel, WN, and Sepia. The Cyan Positions if I have them both on there is bleed. Studio print 11 came today, so soon I will know if there is any benefit for the Piezotone environments. Steve M. [Non-text portions of this message have been removed]
Message
Re: [Digital BW] Clogged Cone Ink user seeks new monochrome solution for 7600
2005-01-07 by sdmey4@aol.com
Attachments
- No local attachments were found for this message.