Hm, so there are RIPs that print 16-bit images... I know QTR uses 8-bit TIFFs and I assumed the Epson printer driver is 8-bit only. I had assumed 16-bit workflows are only useful during manipulation, and I guess that's valid unless you have a 16-bit RIP. Roy made a good point that I hadn't considered: you need to (at least) double the number of grays we can distinguish between to prevent the eye from seeing banding in continuous-tone regions. "Metrology mania" aside, I have so far not seen a case of banding that couldn't be tracked back to the image file. -Pieris --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Paul Roark" <paul.roark@v...> wrote: > Pieris, > > >How many discrete levels of gray ... do we get out of a quadtone inkjet? > ... > > I printed a 256 test chart with the C86 and EZ inks. My X-Rite (DPT 22) was > able to measure the difference between all the steps with 2 exceptions. The > top and bottom 2 steps were essentially the same. > > I was amazed at how well the little printer did. > > A more interesting question might be whether the most expensive RIPs can > match the C86. > > I, for sure, don't have the patience to see if one of the 16 bit printing > utilities (like IJC) can separate all those levels. > > Paul > www.PaulRoark.com
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Re: [Digital BW] How many shades of gray
2005-01-13 by Pieris Berreitter
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