Digital BW, The Print

This isn't the specific answer to the question, but I am achieving 
nice sepia in all shades with a 1280, MIS archival inks w/ebony black 
in the K position. This setup allows b/o printing, color printing, 
and sepia toning. It takes experimenting in P/S with "color balance" 
adjustments to get the specific tone you're looking for (hue/sat and 
channel mixer I gave up on)...also duotones give nice results. (If 
your monitor isn't callibrated with a colorometer though, forget it.)

--- In 
DigitalBlackandWhiteThePrint@yahoogroups.com, "scott_now_coming" 
<scott_now_coming@y...> wrote:
> 
> Try MIS Ebonie on matte papers (I like Epson Enahnced Matte) and 
MIS 
> PK the other types ( Ilike Kirkland glossy and Epson Luster).
> 
> Scott
> 
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "coovert1912" 
> <backstagepass55@a...> wrote:
> > 
> > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Steven 
> > Karafyllakis" <steve@s...> wrote:
> > > 
> > > --- In 
> DigitalBlackandWhiteThePrint@yahoogroups.com, "coovert1912" 
> > > <backstagepass55@a...> wrote:
> > > > 
> > > > What ink percentages would I need to create a BO ink Sepia 
> look? 
> > I 
> > > am 
> > > > looking to use a refillable MIS Mat Black cartridge with 
Sepia 
> > > tones. 
> > > > Thanks, Robert
> > > 
> > > Clayton hates sepia-you need to direct this to Paul Roark!
> > > 
> > > Steve K
> > 
> > maybe I should say "Warm tone"   I am printing images from the 
> early 
> > 1900's which just do not look right with a neutral or cool tone.
> > Robert