Mitch, You raise a very important distinction between the canned QTR set-up and IP. I believe with QTR on UC inks the preponderence of inks layed down are black, and light black. Light magenta and light cyan are used only to control warm/cool/selenium (although they provide density too). Yellow is used only on sepia curves. No use is made of magenta and cyan inks, specifically to reduce/eliminate metamerism. The Photoblack ink of UC is supposed to be extremely warm (more so than matte black), and is difficult to neutralize with just the light magenta and light cyan. IP may work differently, but could introduce the dreaded metamerism, and infact I remember seeing a demo of IP where b/w prints were made with specific viewing conditions in mind. Not an issue for many people - but I find hue shifts rather annoying. Shilesh --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "alland20854" <mitcha@m...> wrote: > > > You get get stronger black using the photo lack ink on resin coated > > papers, but that introduces bronzing problems and a very warm tone. > > I use ImagePrint on Epson Semi-Matte, and there is no problem of a warm tone (i.e., with > Ulttrachrome inks). In any case, the ImagePrint Tint Picker facility allows "toning" in fairly > wide range, also split-toning (IP6). > > However, there is still a bronzing problem which largely disappears by waxing with > Renaissance Wax -- I suppose that spraying with PrintGuard or similar spays has a similar > effect, but I haven't been able to try this because these products are not available here. > > But my current solution to bronzing is to laminate the prints: I have the prints hot > laminated with 2-3 coats (glossy surface), which inceases the Dmax and saturation > substantially -- and no one can tell these are not silver prints. Indeed, the look is that of > face-mounted prints on acrylic (plexiglass). Here in Bangkok it costs me only $10 to have > 24x36 inch print hot laminated (by hand) and mounted on MDF with a one-inch frame > behind it, but in the states and Europe, the cost for similar might be around $200. But you > can cold laminate on a press quite inexpensively, I believe. > > --Mitch/Bangkok
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Roy Correct Me If I Am Wrong: Piezography? Or, the state of the state. (Roy
2005-01-29 by Shilesh Jani
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