Hello Pieris, >Apparently there wasn't one before, or it's not readily available. > >Because this is my first attempt at profiling and I prefer not to >work in isolation, I'd appreciate feedback on this curve. It should >provide superior tonal separation in midtones and deep blacks. After quite extensive experimenting with BO printing I found that canned curves aren't necessary for BO, and in fact are largely ineffective in the sense that a curve worked out for one image is usually not appropriate for another. Any fixed curve that is applied universally to every image will likely be a compromise in some way. That's why you don't find any BO curves published anywhere. The reason for this is that curves/profiles are needed with ink systems that blend multiple inks because they are controlling the places where the different inks cut in and out. Since different papers react differently to the inks, a different curve is needed for each ink/paper combination. With BO printing only one ink is used so the problem of partitioning doesn't exist. The basic workflow is to use a common paper for all proofing, such as EEM, and work up an image to its best appearance (using levels, curves, whatever) on that paper, and then save the image. This image will always look its best on EEM as is, and the proof then serves as the model for final prints on fine art papers. For final prints, depending on the paper used, a contrast curve may be needed to adjust the image to match the proof, because the different papers have different contrasts, very much like silver gelatin papers. This curve will usually be different for each paper, and a curve for an image on Condor BW, for example, will most likely not be appropriate for a different image on that paper. So even these paper-specific contrast curves can't be applied to every image. These curves are usually quick and easy to create, and can be saved either as an adjustment layer in the image or in a curves file (I use the former method, even though it adds to file size, because it's more convenient). This is one reason why BO printing is so easy - we don't need canned curves and aren't dependent on someone with a densitometer or other form of expertise to provide them. There's more to good BO printing than just the curves, of course. A more detailed explanation is found in a series of articles at the link below. Regards, Clayton Info on black and white digital printing at http://www.cjcom.net/digiprnarts.htm
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Re: Here is a curve for BO on EEM with Eboni ink
2005-02-09 by Clayton Jones
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