Clayton, Sorry to take so long to get back to your post on this topic. Some unfortunate incidents last week put me out of work for a few days. I understand what you're saying when you say no one curve can be applied to any image to make a black-only print. I also recognize that each image needs the careful attention of the printer's craft to best represent the aesthetic that the photographer intends. There is no one-stop solution for this, and the curve I made is certainly not going to help the printer who is looking for such a panacea. What I found when I tried BO printing was that the straight printing method was giving me very, very different looking images from the FS prints I had been making. They had a very sharp toe and very long, drawn out midtones and highlights. If I wanted my print to look like that, it should look like that on-screen. I do not have a perfect WYSIWYG workflow for FS printing but it's very good. BO printing with the traditional "just click print" method was not giving me what I wanted, especially when I'm trying to compare BO printing to FS printing. So, for the purpose of (1) WYSIWYG workflow and (2) swapping between QTR-FS/Roark-FS/BO and trying to get similar results, I made that curve. I'm not saying I have achieved both of these goals yet, but I am convinced that profiling curves are necessary to get there. Regard, -Pieris digital darkroom blog: http://www.pmb.net/darkroom --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Clayton Jones" <cj@c...> wrote: > > Hello Pieris, > > >Apparently there wasn't one before, or it's not readily available. > > > >Because this is my first attempt at profiling and I prefer not to > >work in isolation, I'd appreciate feedback on this curve. It should > >provide superior tonal separation in midtones and deep blacks. > > After quite extensive experimenting with BO printing I found that > canned curves aren't necessary for BO, and in fact are largely > ineffective in the sense that a curve worked out for one image is > usually not appropriate for another. Any fixed curve that is applied > universally to every image will likely be a compromise in some way. > That's why you don't find any BO curves published anywhere. > > The reason for this is that curves/profiles are needed with ink > systems that blend multiple inks because they are controlling the > places where the different inks cut in and out. Since different > papers react differently to the inks, a different curve is needed for > each ink/paper combination. > > With BO printing only one ink is used so the problem of partitioning > doesn't exist. The basic workflow is to use a common paper for all > proofing, such as EEM, and work up an image to its best appearance > (using levels, curves, whatever) on that paper, and then save the > image. This image will always look its best on EEM as is, and the > proof then serves as the model for final prints on fine art papers. > > For final prints, depending on the paper used, a contrast curve may be > needed to adjust the image to match the proof, because the different > papers have different contrasts, very much like silver gelatin papers. > This curve will usually be different for each paper, and a curve for > an image on Condor BW, for example, will most likely not be > appropriate for a different image on that paper. So even these > paper-specific contrast curves can't be applied to every image. These > curves are usually quick and easy to create, and can be saved either > as an adjustment layer in the image or in a curves file (I use the > former method, even though it adds to file size, because it's more > convenient). > > This is one reason why BO printing is so easy - we don't need canned > curves and aren't dependent on someone with a densitometer or other > form of expertise to provide them. There's more to good BO printing > than just the curves, of course. A more detailed explanation is found > in a series of articles at the link below. > > Regards, > Clayton > > > Info on black and white digital printing at > http://www.cjcom.net/digiprnarts.htm
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Re: Here is a curve for BO on EEM with Eboni ink
2005-02-13 by Pieris Berreitter
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