Hello Ferdinand, You DO CONVERT the target to Gray Matte before printing. That is what you normally do to print QTR, right? Don't feel it's a dumb question, often I read something and try to understand it several times and often try several different things before I really see what the process is. As Thomas Edison said after 25000 tries on the electric light bulb, "Now I know 25000 ways NOT to make an electric light bulb." Your friend in Photography, Johnny --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "ferdinand_paris" <ferdinand_paris@y...> wrote: > > Can I ask a really dumb question here. The instructions say "Using > the same process you use to print your images, print each target > ....". So I print the target using QTR(Gui), but I *DO NOT* convert > the target to the Gray Matte profile (which would be the normal > printing process), because this would change the underlying numbers in > the file, and invalidate the whole point of the exercise, right? I > just leave it as AdobeRGB. > > F_P > > > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Johnny Eades" > <jeades1@s...> wrote: > > I take it your monitor is calibrated using some kind of device and > > software combination. This is a must to produce consistent and > > predictable results from any workflow. Go to > > www.zuberphotographics.com and download the Black Point/White Point > > information for the printer. Do the procedure to determine what > > Black Point is needed to allow you to print a full tonal ranged > > image, and then do the procedure for the White Point to do the > > same thing. You may be surprised what this simple procedure can do > > for your printing results. I found that I had been using the Zero > > point to indicate my black point and after doing the BP/WP I now > > use BP=19 and WP=252. Do this test on all the types of paper you > > use.
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Re: QTR: Great Tool ... no casts, But
2005-02-14 by Johnny Eades
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