Digital BW, The Print

Hello, 

I'm new to this forum, and I've just started trying to print black and white with 
QTR.  I'd be interested  to hear why you went with IJC/OPM?

TIA,

peter


--- In DigitalBlackandWhiteThePrint@yahoogroups.com, <Alan.Huntley@c...> 
wrote:
> Hi Tom,
> 
> I have now worked with IP 6.0 and IJC/OPM on an Epson 2200 with UC inks. 
My favorite test image has been printed on several different papers with both 
products. To summarize, I'm finding the MAJOR difference between the two is 
that IJC/OPM clearly separates deep shadow tonality (say, 3/4 tones or, 
maybe, a little further down the scale to black) where IP simply dumps these 
values. This with the Black Point slider set to 100, too! I've actually been quite 
amazed by this performance level in IJC/OPM!
> 
> Also, the ability to get different "color" from very cool through warm to sepia is 
much easier and more consistent, IMO, with IJC/OPM than with the Tint Picker 
in IP.
> 
> Again, IMO, IJC/OPM is THE solution for printing B&W on an inkjet printer, 
especially using the stock UC inks.
> 
> Alan Huntley
> 
> > 
> > From: Tom Baker <tbaker1328@s...>
> > Date: 2005/02/16 Wed PM 03:55:47 EST
> > To: B&WPrintGroup <DigitalBlackandWhiteThePrint@yahoogroups.com>
> > Subject: [Digital BW] IJC/OPM vx. IP
> > 
> > 
> > On a 9600 w/UC inks.  What advantages, from image quality standpoint, 
does IPC/OPM provide over IP6 for b&w?  I believe someone on this group has 
actually worked with both.
> >  
> > Tom Baker