Exactly, That is what I did . I printed four 4x5 variations on each 8x5"x11" sheet and did 5 of those - that's 20 variations.It is great to have these to refer to. With some of my more sophisticated clients I even give them a set to refer to. Sometimes these variations are so subtle that the only way to really evalute them is in comparison. Also I would find a fairly "neutral" silver print to compare them with. For me I quickly discoverd that there is no such thing as total neutrality though, with any medium. It's all relative and subjective.That is a perceptual and relative concept because even the paper base changes the hue in the higher values and developers, wash technique adds color to traditional prints.The one thing I did experience was that the really warm curves from UC and QTR looked much nicer on a natural or slightly warm paper than on a paper with optical brighteners, like H P Rag. I still want to figure out a process for split toning. John > > > Diane, > > > So it's just trial & error until you find the combinations that you > > > like ? Seems an expensive route. No guidelines available to at least > > > get you 'in the park'? > > > Frank > > > > Expensive? Print a ring-around of six 2x3 images on one letter size > paper all with differnet > > curves.
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Re: QTR selecting 2 tone curves help
2005-03-19 by john dean
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