Andre, why not do your own fade tests? I have been using a simple, comparative fade testing method for several years. I run a set of direct sunlight fade tests in the spring, one in the summer and another in the fall. I always test several different types of prints together, including both traditional and inkjet processes. I cut all of the samples in half and put one half in a light tight drawer. The other half of each sample is taped up in a south facing window on the second story of a commercial building in Central California with unobstructed sunlight during daylight hours. I usually leave them up for eight weeks. Then I take them down and pair them with their other halves to see what visible fading or color shift has occurred. These are not scientific tests and I do not presume to predict display life in years (I am also highly skeptical that Wilhelm's methods are any better than mine in terms of making the kinds of predictions that he makes, given the nature of the reciprocity problem involved). I only care about fading that I can see and how the samples perform relative to one another. It is well established that a selenium toned silver print is the most permanent photographic process to date. So I always include one in my tests. I have also included non-toned silver prints and RC silver prints in some tests to get an idea of relative performance. So far the top performers in my tests have been selenium toned silver prints and quad tone prints made with Cone Editions quad inks and Museum Black on Hahnemuhle Photo Rag paper. Neither of those two print types has ever shown any visible fading in my tests. Virtually every other type of print that I have tested has shown either fading, color shift or both. This includes untoned silver fibre prints, RC silver prints, Platinum/Paladium prints, Fuji Crystal Archive type C prints, Ultrachrome color, Ultrachrome B&W, Lyson dye-based quad tones, Lyson Daylight Darkroom, Media Street Generations G-Chrome, Cone Editions quad inks with Portfolio Black, Epson consumer desktop six-color and more. The amount of fading or color shift varied from very slight to substantial. Good luck. Joel
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Re: Carbon Ink Print permanence
2005-03-25 by joelpickford
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