I agree with you about the amount of personal expression that goes into our images we produce, but without the skill (technical) side of the equation; I can't produce the image I see in my mind's eye. Often I take a picture with an idea of the resulting print and fall short of reaching that goal because of my inadequacy of technical skills. QTR is removing one of those shortcomings in my skills by allowing the resulting print to more resemble the screen image. Now I need to learn more about the screen production that shows my idea of the resulting image. This requires my learning more of Photoshop and also curve production in QTR. Towards those skills, I am looking at an inexpensive (?) densitometer that will allow linearization of the tonal range that is displayed in the print. Behind all this is the desire to express my feelings at the time of exposure, and the reason I felt compelled to make the image. Your friend in Photography, Johnny --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Djon" <westsidemaurice@y...> wrote: > > These sound like good books...back to Amazon! > > But IMO 75% of the posts on this Forum seem more to suggest education > in NON-technical aspects of B&W, most especially > "pre-visualization"...a skill that's almost never mentioned on digital > forums...there's a blind spot. > > This blind spot is an obstacle to progress when we forget about the > photograph and forgo personal visual skill development and become > obsessed with monitor calibration and soft proofing. > > It probably has to do with the derivative post-card tendencies of the > "fine" photos we see most often online: minds occupied with technique > rather than eyes and heart involved in images. > > > --- "Digital Black and White Photography: A Step by Step Guide to > > Creating Perfect Photos", by John Beadsworth. I use this book all > the time. It is a very good > > "how to" on digital black and white. I also have Eddie Ephraums' > book which is a good > > reminder to keep it simple. > >
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Re: Best Book on B&W with Photoshop
2005-03-30 by Johnny Eades
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