Robert, I don't think there is any good objective comparison of the options. However, here is how I approach the issue: First, I won't have anything to do with an inkset that is not 100% pigments. Dyes may clog less, have a higher dmax, and be able to run on more types of printers, but they fade much faster and most are plagued by metamerism. The older pigment inksets were hybrids and the dyes burning off caused fast and sever color shifts with most of them. When one looks only at the 100% pigment inkset, the list is rather short. The UltraChromes are the starting place. They no-doubt are the most reliable. With QTR or IJC, not to mention more expensive rips, the UC inkset can make very good B&W prints. However the dedicated inksets have light inks that are less than half the concentration of the UC LK, which is used all the way up in the UC-rip prints to avoid metamerism. So, there is a bit of an edge in smoothness to the dedicated B&W inskets. The main 100% pigment B&W inksets I'm aware of are the MIS UT inks and Cone's PiezoTones. In my fade tests both are outstanding. With both these outfits many love them and some have endless trouble. The PiezoTones are monotone inksets, as are the MIS UT-FS and UT-FSN. The monotone inksets have the lightest gray inks, and are marginally smoother, but most will not see this unless they look at the pirnts under a loupe. On the other hand, in the MIS UT2 and UT7 variable-tone inksets the yellow position can be used for the super-light UT-FSN-Y. With an appropriate curve, this makes these variable-tone inksets have as smooth highlights as the monotone inksets. I have tried this and have a sample curve, but I don't think it's a worthwhile option for most people. The Piezo approach is more turn-key and prints from grayscale files without the need to use curves, etc. As such, the workflow may be easier for people, and I assume there are more paper profiles. The flip side is that it is not an open workflow that allows you to tweak the profiles/curves yourself. It's been a while since I used Piezo systems, so I might be a bit out of date here. MIS's business model is to just sell the inks people want, and then the customers are on their own. I make Photoshop curves available to all, and MIS distributes them also, but if there is a paper that I have not profiled with a curve, you're going to have to see which curve works best and modify it yourself. With the UT2 & 7 inksets many papers also print fine with just some Epson driver slider adjustments, which is the easiest workflow. However, the most control is gained with the use of curves or a rip like QTR or IJC. Many on this list use QTR with MIS inks and also have curves. These can often be linearized for a new paper and work fine. I use MIS inks because its business model fits what I like to do, the inks are cheap, and they are glossy paper compatible. I think the glossy papers are getting very interesting, and the ability to print on both types of paper without having to change ink is a big advantage, especially with the 7500 and 7600. This ability is unique to a few MIS UT inksets (among pigmented inkset) as far as I know. I post my notes on the various MIS inksets I've been involved with at http://home1.gte.net/res09aij/index.htm . Good luck in your search. Paul www.PaulRoark.com > -----Original Message----- > From: Robert [mailto:la_native@...] > Sent: Tuesday, April 05, 2005 7:22 AM > To: DigitalBlackandWhiteThePrint@yahoogroups.com > Subject: [Digital BW] Basics on B&W Inks > > > > I've been perusing this forum for over a year, and I've seen literally > hundreds of posts about various B&W inkset options for Epson printers. > I have a 2200 and I'm considering MIS' UT7 carbon inks. > > Before taking the plunge, I'd like to become more knowledgeable on the > subject. Is there a website or a link that discusses the various > options that are out there, with pros and cons of each manufacturer? > > Finally, has there been any kind of concensus on this board as to > which inksets work the best? > > Thanks, > Robert Ades > > > > > > > Please visit the Group Homepage to check the Files, and other resources as > they are often being updated. > > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint > > If you wish to receive no emails or just a daily digest, or you wish to > unsubscribe, please edit your Membership preferences by visiting this same > page. > > Please follow these basic guidelines: > - As threads develop, trim off excess portions of earlier messages to keep > them short. > - Good manners are required at all time. No personal attacks or flames. > Hostile, aggressive or argumentative users may be removed from the > membership without notice. > - Keep your posts and threads related to the group topic of digital B&W > printing. 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RE: [Digital BW] Basics on B&W Inks
2005-04-05 by Paul Roark
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