Paul, thank you for your thoughtful and informative reply. -Robert --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Paul Roark" <paul.roark@v...> wrote: > Robert, > > I don't think there is any good objective comparison of the options. > However, here is how I approach the issue: > > First, I won't have anything to do with an inkset that is not 100% pigments. > Dyes may clog less, have a higher dmax, and be able to run on more types of > printers, but they fade much faster and most are plagued by metamerism. The > older pigment inksets were hybrids and the dyes burning off caused fast and > sever color shifts with most of them. > > When one looks only at the 100% pigment inkset, the list is rather short. > > The UltraChromes are the starting place. They no-doubt are the most > reliable. With QTR or IJC, not to mention more expensive rips, the UC > inkset can make very good B&W prints. However the dedicated inksets have > light inks that are less than half the concentration of the UC LK, which is > used all the way up in the UC-rip prints to avoid metamerism. So, there is > a bit of an edge in smoothness to the dedicated B&W inskets. > > The main 100% pigment B&W inksets I'm aware of are the MIS UT inks and > Cone's PiezoTones. In my fade tests both are outstanding. With both these > outfits many love them and some have endless trouble. > > The PiezoTones are monotone inksets, as are the MIS UT-FS and UT- FSN. The > monotone inksets have the lightest gray inks, and are marginally smoother, > but most will not see this unless they look at the pirnts under a loupe. On > the other hand, in the MIS UT2 and UT7 variable-tone inksets the yellow > position can be used for the super-light UT-FSN-Y. With an appropriate > curve, this makes these variable-tone inksets have as smooth highlights as > the monotone inksets. I have tried this and have a sample curve, but I > don't think it's a worthwhile option for most people. > > The Piezo approach is more turn-key and prints from grayscale files without > the need to use curves, etc. As such, the workflow may be easier for > people, and I assume there are more paper profiles. The flip side is that > it is not an open workflow that allows you to tweak the profiles/curves > yourself. It's been a while since I used Piezo systems, so I might be a bit > out of date here. > > MIS's business model is to just sell the inks people want, and then the > customers are on their own. I make Photoshop curves available to all, and > MIS distributes them also, but if there is a paper that I have not profiled > with a curve, you're going to have to see which curve works best and modify > it yourself. With the UT2 & 7 inksets many papers also print fine with just > some Epson driver slider adjustments, which is the easiest workflow. > However, the most control is gained with the use of curves or a rip like QTR > or IJC. Many on this list use QTR with MIS inks and also have curves. > These can often be linearized for a new paper and work fine. > > I use MIS inks because its business model fits what I like to do, the inks > are cheap, and they are glossy paper compatible. I think the glossy papers > are getting very interesting, and the ability to print on both types of > paper without having to change ink is a big advantage, especially with the > 7500 and 7600. This ability is unique to a few MIS UT inksets (among > pigmented inkset) as far as I know. > > I post my notes on the various MIS inksets I've been involved with at > http://home1.gte.net/res09aij/index.htm . > > Good luck in your search. > > Paul > www.PaulRoark.com > > > > > > > > > > -----Original Message----- > > From: Robert [mailto:la_native@h...] > > Sent: Tuesday, April 05, 2005 7:22 AM > > To: DigitalBlackandWhiteThePrint@yahoogroups.com > > Subject: [Digital BW] Basics on B&W Inks > > > > > > > > I've been perusing this forum for over a year, and I've seen literally > > hundreds of posts about various B&W inkset options for Epson printers. > > I have a 2200 and I'm considering MIS' UT7 carbon inks. > > > > Before taking the plunge, I'd like to become more knowledgeable on the > > subject. Is there a website or a link that discusses the various > > options that are out there, with pros and cons of each manufacturer? > > > > Finally, has there been any kind of concensus on this board as to > > which inksets work the best? > > > > Thanks, > > Robert Ades > > > > > > > > > > > > > > Please visit the Group Homepage to check the Files, and other resources as > > they are often being updated. > > > > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint > > > > If you wish to receive no emails or just a daily digest, or you wish to > > unsubscribe, please edit your Membership preferences by visiting this same > > page. > > > > Please follow these basic guidelines: > > - As threads develop, trim off excess portions of earlier messages to keep > > them short. > > - Good manners are required at all time. 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Re: [Digital BW] Basics on B&W Inks
2005-04-06 by Robert
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