hmmmmm....I have a curve from you (i think) for premium semi and glop and eboni.....it is only one curve, neutral. I use the 1280, with UT2/glop. Tomorrow, after I get the clear carts installed I will mess around with some diferent things, like trying the diferent media settings on a step wedge etc.......now I wonder where that curve came from! take care, DM On Apr 30, 2005, at 8:28 PM, Paul Roark wrote: > Doug, > > I use Epson Premium Semimatte (PSM) with the newer UT inksets (not > UT1) and > no Glop.� I spray it after I print.� My workflow is just the normal > Photoshop RGB curves, Epson driver, with Eboni installed but not > used.� The > black is generated by the 2 dark gray inks. > > Because PSM was not available in smaller sizes, I have not made many > curves > for it.� I suppose I should do that now that more people will be > cutting it > down from 17 x 22. > > What printer and inkset are you using? > > Paul > www.PaulRoark.com > > > > -----Original Message----- > > From: DigitalBlackandWhiteThePrint@yahoogroups.com > > [mailto:DigitalBlackandWhiteThePrint@...m] On Behalf Of > Douglas > > meeuwsen > > Sent: Saturday, April 30, 2005 6:09 PM > > To: DigitalBlackandWhiteThePrint@yahoogroups.com > > Subject: [Digital BW] Epson Pr.Semi matte....Roark workflow > > > > I was at a gallerie yesterday, and the BW darkroom prints looked > pretty > > good with a very nice surface, and no glass in front. I asked the > guy > > what kind of paper it was, thinking they may have been ink prints, > and > > he said "semi-matte, darkroom".....Anyways, I still have not been > able > > to get the kind of quality that I get from kirkland from my > semi-matte > > using the curves for ebony and glop. I suspect that it is The media > > setting, which I am not sure of. When I use the glossy film setting, > > the shadows are kind of posterized, and when I use the premium > glossy > > setting the ink is way too heavy. I just did a print with premium > > semigloss, and it did turn out quite nice. The glop is less > effective > > with semigloss that it is with kirkland and semi-matte. I do like > the > > surface of semi the best, and the glop works great on it. > > > > So I am wondering if I should experiment more with media settings, > or > > adjust the curves. I almost think that the ilford curves may work > > better than the semimatte curve. (accidentally chose the wrong one > one > > time. It was the ilford carbon curve, looked pretty good, but it > was a > > diferent image) > > > > So, Paul, or anyone that may be trying this combo, what do you guys > > suggest? I have been doing some experiments jsut trying to drain my > > last prefilled glop cart. It is finally empty, so tomorrow I will > > attemp switching over to the clear carts. Crossing my fingers! > > > > as Usual, all info is much appreciated, > > > > Doug M > > > > > > > > > > Please visit the Group Homepage to check the Files, and other > resources as > > they are often being updated. > > > > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint > > > > If you wish to receive no emails or just a daily digest, or you > wish to > > unsubscribe, please edit your Membership preferences by visiting > this same > > page. > > > > Please follow these basic guidelines: > > - As threads develop, trim off excess portions of earlier messages > to keep > > them short. > > - Good manners are required at all time. 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Re: [Digital BW] Epson Pr.Semi matte....Roark workflow
2005-05-01 by Douglas meeuwsen
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