Thanks ;) --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Johnny Eades" <jeades1@s...> wrote: > OOPS MY MISTAKE. It should be www.zuberphotographics.com > > Your friend in photography, > > Johnny > > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "copal01" > <copal01@y...> wrote: > > Hi, I'm interesting in the www.Zubergraphics.com, but the link > don't > > work. > > > > > > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Johnny Eades" > > <jeades1@s...> wrote: > > > Steve, > > > > > > Thanks for your information about using any inkset.I'll install > > them > > > and run the ink separation/curve creator procedure. When using > one > > of > > > the already created curves (EEM) as the basis for my first curve > on > > > H'muhle Photo Matte 170gsm paper, I found too much ink was laid > > down > > > and caused buckling of the paper, even after linearizing the > inks. > > > Then I used Tom Zuber Black Point procedure to determine the > least > > > amount of ink that would produce maximum black without loosing > > DMax. > > > Now my shadows have a longer --- tonal range and details that > were > > > not visible before changing the BP are visible now. And it saves > me > > > from wasting a lot of ink unneccessarily. > > > > > > Your friend in Photography, > > > > > > Johnny > > > > > > In DigitalBlackandWhiteThePrint@yahoogroups.com, Steve Kale > > > <stevekale@b...> wrote: > > > > Johnny > > > > > > > > ANY inks can be used with QTR. It is up to you to decide which > > > inks will be > > > > used to make up the greyscale curve. There is nothing stopping > > you > > > from > > > > having a purple scale if you wanted if you decided to make a > > scale > > > with > > > > purple inks. So go through the normal process with the FSN, > > > choosing how > > > > and which inks you want to make the particular greyscale and in > > > which order. > > > > RE your input/output/blackpoint issue I strongly recommend > > letting > > > the QTR > > > > ICC profiles do that as described. You'll get an accurate > > mapping > > > of the > > > > bkpt and points in between. The average profiles that are > > provided > > > for > > > > matte and photo paper respectively are good enough for almost > all > > > such > > > > papers. > > > > > > > > Steve > > > > > > > > > > > > > From: Johnny Eades <jeades1@s...> > > > > > Reply-To: <DigitalBlackandWhiteThePrint@yahoogroups.com> > > > > > Date: Sat, 30 Apr 2005 21:33:03 -0000 > > > > > To: <DigitalBlackandWhiteThePrint@yahoogroups.com> > > > > > Subject: [Digital BW] Re: QTR question > > > > > > > > > > Frank, > > > > > There is a website that has been mentioned here often-Tom > Zuber > > > > > (www.Zubergraphics.com)that has an abundant amount of data on > BW > > > > > printing; one being determining the Black Point and White > Point > > > your > > > > > paper/ink combination is capable of handling. After getting a > > > > > densitometer deal on Ebay, I have found that I was laying too > > much > > > > > ink on the paper to the point of it buckling. My BP (Black > > Point) > > > has > > > > > been changed to Input=0 Output=28 and I find that my tonal > > range > > > is > > > > > much longer in the lower values. You may want to go to that > > site > > > and > > > > > study some of the information for Black and White printing. > > > > > > > > > > Now that I've heard that FSN inks can be utilized in QTR curve > > > > > creator, I'll get to working on that. > > > > > > > > > > Your friend in Photography, > > > > > > > > > > Johnny > > > > >
Message
Re: QTR question
2005-05-01 by copal01
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