Digital BW, The Print

Hi Carl,

Thanks for your response.  I am using the E 2200 with the standard UC 
inks. Acutally, black is Ebony.

Thanks,
David

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Carl Schofield 
<scho@m...> wrote:
> I don't know what printer and inkset you are using, but if you use  
> one of the tonable MIS UT inksets, like UT2 or UT7, then the split  
> tone effect you want could be done using Paul Roark's workflow 
with  
> curves and layer masks.  You can see one of Paul's split toned 
prints  
> here:
> http://home1.gte.net/res0a2zt/Whalers.html
> 
> Carl
> 
> On May 7, 2005, at 2:21 PM, David Sinai wrote:
> 
> > Hi,
> >
> > I realize that my question might not be suited for this forum, so
> > please point me in the right direction if the following is
> > inappropriate for this group.
> >
> > I am trying to print a portrait of a head shot. My goal is to 
make the
> > head shot warm or sepia (possibly somewhere in between). But the
> > remaining backround of the image I would like to be closer to a
> > neutral black. That is I don't want the background to have hints 
of
> > sepia or warm, but rather I want it to be black.
> >
> > Can someone put me in the right direction?
> >
> > I am testing this with QTR. My dilema:
> >
> > I know what to do within PS, editing in RGB to get the desired
> > effect.  However, QTR requires a grey scale image.  The minute I
> > convert to GS I will lose my tones.  How do I tell QTR the 
different
> > tones in the specific areas.
> >
> > Also, is it possible to see a soft proof of this particular
> > combination before I print. Yes, I have the soft proofs provided 
by
> > Carl Schofield.
> >
> > Thanks,
> > David
> >
> >
> >
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