I feel the same way these days about Alpha Cellulose. The Innova Soft Texture and the Innova Cold Press are as far as I can tell right now, the finest inkjet papers I've ever run across. They are just killer with both quad inksets and Ultrachrome. And, right, all the Ilford Gallerie, Agfa Portriga, and Kodak Kodabromide we used in years past were all high grade wood pulp, none of them cotton rag. I just saw a fantastic show in New York this week called First Seen, at the Dahesh gallery. It was a giant show of 19th century photography from the very beginnings of the medium, when Hill and Adamson, O Sullivan, Curtis, WH Jackson, Hilyers, Talbot, Francis Frith, Muybridge, etc, etc, made their journeys . It is an amazing show of some of the oldest albumen and kallotype photographs in existence of places that were never photographed before these people made their glass plate and paper negatives there. These photographs were done from the the 1840's - aprox 1870 and I can't remember any of them being stained or faded that weren't glued in albums. I certainly can't imagine their celluslose paper had the testing and quality inspection that the best papers of today have. These prints looked spectacular after all this time ( and they didn't even spray em). John
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Re: Alpha Cellulose Paper Report and Innova fine art paper
2005-05-08 by john dean
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