Steve Kale wrote: >And B&W Mode is Same as Source anyway. > >I have been corresponding with Bruce Fraser and he and Jeff are looking at >doing softproof profiles when they get a printer. They will likely do for >each paper one profile for each of the main settings (neutral, cool, warm >and sepia for each of darkest, darker, dark, normal, light) so 20 profiles >per paper. One can already use EyeOne Match to do your own profiles >following Carl Schofield's workflow (if you had a printer!). Bruce will be >using a lot higher patch count than 21 or 51. > >I still think the more interesting and relevant issue is profiling the >luminance axis. This k3 situation is just like QTR a year or so ago (and >where black-only is today). We found a way to soft proof but still did not >have a way of managing the difference between the workspace luminance >profile to the printer reflectance profile. The old 'why do my QTR prints >print "light" and "lack contrast" issue?'. > >Epson has loaded into the driver five transforms - darkest, darker, dark, >normal, and light - but these must only be simple transforms keyed off the >paper selection. Thus they take no account of changes in workspace nor >individual printer differences in linearity. They certainly won't >accommodate a change to the inks. Think of them as Black-only work flow >with five preset curves to choose from. The smarter money will figure out >if there is a way to manage the luminance/reflectance compression with a >(greyscale) ICC output profile a la Roy's generics for QTR. The only issue >I can see is in how Epson applies the transforms. Specifically, if they are >simply always applied to incoming file data then data already adjusted by a >ICC profile conversion that was intended to alter the file data to reflect >the print space would then still be transformed again. Then you're stuck >with what Epson has hard coded and it will become progressively out of date. > >Steve > > Yes, the B&W driver may be less sophisticated than I figured out it could be. BTW I'm not familiar with the R1800 driver but in the 4800 driver there are two B&W modes, Advanced B&W and what they simply call Black. It would be very inappropriate if the last isn't Black Only printing. 180 nozzles at 3.5 picoliter and possibly 8 pass like the 10000 firmware upgrade had must deliver a nice BO print. Clayton are you there ? I do not see the same option in the 2400 driver. Nor am I able to get to Advanced B&W in that driver but I have little time right now. Ernst
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Re: [Digital BW] 2400 profiles are on the loose!
2005-05-19 by Ernst Dinkla
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