I'm puzzled. Did people coat "air dried fibre prints" (is that the right term that people attach to fine darkroom prints?)? I understand coating to make up for the current (and reducing) deficiencies in inkjet printing but I am wondering if this is the short term goal or whether we are already reaching beyond this. > From: helen_bach2003 <helenbach@...> > Reply-To: <DigitalBlackandWhiteThePrint@yahoogroups.com> > Date: Thu, 19 May 2005 16:21:36 -0000 > To: <DigitalBlackandWhiteThePrint@yahoogroups.com> > Subject: [Digital BW] Re: Why don't more people coat after printing? > > Like Paul, I coat all my glossy prints. I've switched from Macdonald > Sureguard - which gives a deeper gloss than Printshield, Imageshield > etc - to four coats of water-based Golden UVLS over a Golden GAC-500 > isolation coat (thanks to Nick Nugent for suggesting the isolation > coat). I apply these coats with a roller, and my main problem is dust. > > Apart from the extra work involved, it may be that a significant > number of people think that only matte prints signify 'Fine Art' and > therefore they look upon glossy prints with disdain. I don't wish to > comment on that attitude in polite company. However, I think that it's > fair to say that not all images suit a gloss finish, and that gloss > emphasises slight technical imperfections just as it does with > traditional silver printing. > > Best, > Helen
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Re: [Digital BW] Re: Why don't more people coat after printing?
2005-05-19 by Steve Kale
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