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Digital BW, The Print

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Re: [Digital BW] For You Ansel Adams Fans

2005-06-15 by Brian Ellis

>organized and
>refined by him with Minor White (co->creator of "Zone System" and IMO
>better photographer and teacher from >important perspectives)..

White wasn't a "co-creator" of the zone system. Adams and Fred Archer 
"created" the zone system  in 1941-1942 as a teaching aide for their 
students. White didn't even learn the zone system much less participate in 
its "creation" until 1946 when he moved to California to teach under Adams.

----- Original Message ----- 
From: "Djon" <westsidemaurice@...>
To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
Sent: Wednesday, June 15, 2005 8:49 AM
Subject: Re: [Digital BW] For You Ansel Adams Fans


--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Steve Kale
<stevekale@b...> wrote:
> I'd go one step further.  Not only did he have vision as to the
final image
> but he had an enormous understanding of the technical requirements
of his
> chosen mode of expression.  Witness the interview when he talks
about having
> to calculate the exposure for that capture.  One must not only
have a flair
> or taste for what is a good image -  a critic has these qualities.

Not quite. Critics can be valuable but they are analysts and
talkers, not doers.

Ansel's "calculations" are traditional process,  organized and
refined by him with Minor White (co-creator of "Zone System" and IMO
better photographer and teacher from important perspectives)... not
to mention other people who used and mentored the same techniques
without popularising them.

  One must
> also have a true understanding of the technical requirements and
limitations
> involved in bringing that vision to reality.  As he stressed
repeatedly,
> skill at both is required of a good photographer.

Not true at all.

Ansel learned, helped organize, and taught *a possible approach to a
narrow range of photography.* There are/were many other "good
photographers" (his equals) who didn't/don't: people like Henri
Cartier Bresson, Joseph Muench, Irving Penn, Richard Avedon and,
more recently, Sebastio Salgado...obvious examples.

Ansel was important as a teacher within one narrow genre, as
important for his support of the Sierra Club and its members
enthusiasm for the Sierra Nevada Mts and environmentalism generally.

He was very analytic, lacking broad interests and emotional
complexity IMO. He didn't appreciate the excitement of his home town
in his youth (San Francisco), the greatest music of his own youth
(jazz), never explored color photography to anything like the depth
of his peers.

He was a fine portrait photographer (IMO should have done more) and
did good industrial work. He was very successful selling prints and
reproduction rights, from the early Sixties (eg "Half Dome" Hills
Brothers 5# coffee cans that seemed to grow marijuana seedlings in
every kitchen window in Northern California).

>





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